I was born in Auburn, Maine, and grew up in its twin city Lewiston, which lay just
across the Androscoggin River. It was a French world. My father, like most of the
people in our town, came down to the States in his late teens from a farm in Quebec,
eager to find work in the industrial cities of the U.S.
America was an idea that came to me through the big wooden floor
length radio in our family room. My two brothers and I quickly took to this
fantasy anxious to escape the confines of a French Catholic old world
provincialism. A number of crucial events happened in my childhood that
formed my character. The most important of which is the death of my
mother when I was a year and a half. She died of TB. My family broke up
and I was sent to live in a Catholic convent/boarding school when I was six
years old after it was discovered that my father also had TB. I remained in
that institution until the age of 14 when I began to feel that I would suffocate
and die if I didn't leave, so I ran away. There followed a couple of years
boarding with one Tante then another until I convinced my father to reunite
our family. It was a necessary but bittersweet experience that I left in order
to marry when I turned 17.
I had been a very smart girl, first or second in my class at the convent,
but in the public schools of Lewiston I quickly lost interest with their efforts
at teaching and I left after a half year of high school. My boyfriend and soon
to be husband worked in a shoe factory and so did my father. Brother Bob
turned down a scholarship offer to go to college because he felt he had a
good job at the A & P. It was not a world that encouraged aspiration and
ambition, and although I had a great sense of adventure, I could see no
openings for me. My father sensing this boldness was relieved when I chose
to marry, hoping I had found my place at last.
The ugly fact of earning a living descended on me like an anvil falling
from a fifth story window. It had been a lark before marriage skipping along
from one job to another, quitting at the slightest whim. Now, I had to take
care of myself, and my husband too. A year after I was married I had my
daughter so there were three of us and nothing was going to fall from the
heavens. In desperation, I took whatever I could get, jobs in cotton mills,
woolen mills, shoe factories, gutting chickens, working 2nd and 3rd shift.
What happened to the adventurous girl? I did what I had done since early
childhood to escape an inhospitable world. I read, and I was no slouch
either, no modern romance or detective stuff. I wanted to know about what
was going on in the world. Who was I and what did other people have to say
about the experience of life? The historians, the great thinkers, literature,
philosophy, science, were the books that interested me.
After some years, we were able to buy a house in the country where I
made a good home for my family and enjoyed gardening, sewing, cooking.
My life was easier and I decided to go back to school and entered college to
maybe find something I liked doing. It was a step in a direction away from
our life in the country. The marriage did not weather it and we were
divorced. During my last year in college it occurred to me that I might be a
writer, but I was not ready to act on that discovery and after graduation with
a degree in psychology, I got a job in a mental health center working on the
emergency team seeing people in crisis. It was fascinating work and there
was an immediate bond between patients and I. If they were crazy then I
must be too. What indeed was "reality"? And who's reality deserved more
respect? My awareness was too keen to be trapped in the "mental illness"
model of what I was seeing and hearing. This work was a turning point in
my life and it changed my perceptions completely.
I could not abide the soul crushing mediocrity of bureaucratic
servitude so I went to work at the shipyard, crossed a gangplank fording the
Kennebec River and set to work renovating and retrofitting the U.S.S.
Conyngham. What a beauty! Brutal, backbreaking (actually two fingers
broken, arthritic left shoulder) dangerous work, but something I'm proud to
have accomplished. My specialty was the heights, or rather trying to
conquer the heights. Way up the main mast I would climb, shaking in my
boots trying to get a job done. On my last day at the yard (I left when the
ship was completed), I found the handsomest sailor on my ship and locked
lips in a passionate embrace with him, threw my hard hat in the Kennebec
River and went on my way.
Now that the ship was completed it was time to write. And so I
started a bit at a time. First came poetry and then later stories. Along with
the writing came dreams of bears. Not ordinary dreams, I knew about
dreams and their symbolic language having kept a record of them for the
last 6 years. These bear dreams did not conform to them. The bear was not
a symbol, it was a real bear, wild, out of control and damn scary. Something
powerful was happening. This psychic connection has remained constant in
my writing in spite of much academic training. I nurtured it by going on a
vision quest in the woods where I fasted for 4 days and was rewarded with a
vision that supported my plan and informed me that my writing was to be a
map, a guide for others, with a proviso. It had to be beautiful.
I moved to the village of Weld, a sleepy community with a population of
400 mostly retired people and plentiful moose and deer on the roads and in
the fields. For two years, I lived a solitary life in a small cabin close by the
woods without friends or acquainances in a state of peace and harmony
while I wrote my first novel, COMICS (based on my experiences in the
mental health center.) Also at the time, I undertook training with the
shaman, Michael Harner, then with the witch Zsuzsanna Budapest and the
very wise and powerful Starhawk.
When the money ran out, I worked in a hospital as a psychiatric social worker once
more, mostly on call at night seeing people in crisis. Later, I was glad to accept
an invitation from the University of Maine in Orono to become Artist in Residence.
It was at UMO that my novel COMICS was adapted for the stage and performed to
outstanding success. My next break came when I was accepted at Sarah Lawrence
College in New York for the MFA program in creative writing.
I now reside in Manhattan where I have a practice as seeress
counseling people, offering workshops. I also tell stories which I will regale
you with. And I've written a group of poems based on the cards of the Major
Arcana in the deck of Tarot, also narrative poems, essays, book reviews, etc.
I will tell you the story of my life as it unfolds day to day.
RESUME
EDUCATION
Sarah Lawrence College, Bronxville, NY, MFA in fiction writing 1995.
University of Maine, Orono, ME, Master's Program in English/Creative
Writing 1993.
Stonecoast Writer's Conference, summers of 1981, 82, 83.
University of Southern Maine, Portland ME, BA, Major: Psychology,
Cum Laude. 1977.
OTHER
Initiated into the craft as a witch 9/93
Power through Magic Workshop, Szuzsanna Budapest, Witch, Wise
Women's Center Woodstock NY, 8/92.
Spirit Healing Skills, workshop with Starhawk, Witch, and Luisah Tisch, Yoruba
Priestess, Boston MA, 6/90.
Women's Mysteries, with Margot Adler, Witch, Cape Cod, MA 8/89.
The Way of The Shaman, Michael Harner: Shaman/Anthropologist, Boston MA 9/87
and 5/88.
Vision Quest, 8/86.
Emergency Mental Health Training, Franklin Memorail Hospital 1986
EXPERIENCE
Seeress, spiritual counselor in private practice in New
York City, professional name LuhrenLoup; was part of the
coven Hosmer's Pond Witches in Maine from 9/92 to 9/93
Participant in research on social cognition and the role of
psychic abilities at New York University.
Facilitator/leader of artists, men's groups, women's groups, student and patient groups,
with spiritual, emotional and/or intellectual focus.
Artist in Residence, University of Maine, Orono, ME, 1990/91.
Designed and implemented first artist in residence program. Co-
taught and participated in undergraduate poetry, writing and English
courses, gave workshops, readings, public presentations, led
discussions in a variety of classes throughout university, counseled
individual writers and organized group meetings with students and
faculty.
Creative Writer, fiction, poetry, essays. Novels, "COMICS," 53,"
"Diana Bontemps"; films, "Waste and Void," "In the Cards" "Spirit of John Lennon";
currently working on memoir, "Manhattan Seeress,"
spent the summer of 92 and fall of 93 as a colonist at THE FARM:
An Art Colony For Women, owned and operated by the artist and
feminist Kate Millett; participated in, planned agenda and gave
readings at the yearly Rassemblement des Artists Franco Americains;
am a graduate of the Bum's Academy at the Gulf of Maine Bookstore.
ADJUNCT EXPERIENCE
Psychiatric Social Worker/Mental Health Clinician; part of the
Emergency Team in community mental health center; Emergency
Mental Health Services at hospital; responsible for evaluating clients
with psychiatric or social problems in emergency situations,
recommending treatment, be it counseling, commitment to state
hospital or private facilities; dealing with distraught, unstable patients,
their families, friends, police, etc.; finding needed resources within
social services' community and outside of it for clients.
Coordinator of Patient Support Team at hospital, involved in counseling
people with terminal cancer, AIDS, amputations and other major
illnesses; in that connection I facilitated a support group for people
with cancer.
Licensed Social Worker 1989 to 91.
President and owner, Housewife, Inc. in Maine 1982 to 86.
Brush Painter, Bath Iron Works, was part of crew renovating the ship
U.S.S. Conyngham, 1980/82.
Director, University Women's Forum, supervised employees, counseled
students, put on programs for University and Portland community
1976/77.
PUBLISHED WORKS
Profile, Crain's New York Business, Gotham Gigs, Vol.22, 11/06
ACTOR: theatrical one act film, "Waste & Void," 6/04, played role of Seeress.
"In The Cards," 5/05, documentary about my life and work. "Spirit of John Lennon" Performing a
ritual invoking the spirit of John Lennon. A collaboration with the artist Gianni Motti at the Art
Gallery, Netro Pictures 3/06
Profile, Bangor Daily News, Theater, 11/92
NOVELS: COMICS staged at the University of Maine, Orono, November
1992.
ESSAYS: Valentine, Spring 99, Stained Sheets, New York City, Crazy
People, Sorcerers and Language, published in An Anthology of Writings
of Franco American Women, 1998; The Victim, Fall 95, Crazy People,
Sorcerers and Language, Fall 92, Living on The Edge, Winter 91,
Fixing My Bike, Spring 85, The Forum, Orono, ME.
Profile,Lewiston Sun/Journal 9/85
POEMS: A Cold, Clear Night ..., Spring 99, Poetalk, Berkeley CA;
Hurling Stones, Winter 99, Stained Sheets, New York City, Un
Morceau De Viande, published in An Anthology of Writings of Franco
American Women, 1998; Un Mor¨eau de Viande, Spring 92, Richard's
Poem, Spring 85, The Forum, Orono ME; The Playground, American
Poetry Anthology, 82/83 edition, Santa Cruz, CA.
A PARTIAL LIST OF lITERARY READINGS & PERFORMANCES
Franco American Festival, Lewiston ME, 82, 86;
Rassemblement, Mackworth Island ME, 1982;
Gulf of Maine Bookstore, Brunswick ME, 82, 83, 86;
Patten Free Library, Bath ME, 1983;
Maine Writer's Festival, Portland ME, 1983;
Maine Poet's Festival, Belfast ME, 1983;
University of Maine, Farmington ME, 1983;
Stonecoast Writer's Conference, Portland, ME 1984;
Assumption College, Worcester, MA,1984;
State University of New York, Albany NY, 1985;
WMPG Radio, Gorham ME, 85, 87;
Shaker Conference Center, Enfield, NH, 1986;
National Honor Society, UMO, ME, 1987;
Bates College, Lewiston ME, 1987;
Kerouac Colloquium, UMO ME, 1987;
WMEB Radio, Orono ME, 1989;
Franco American Vignettes, UMO ME, 1989;
Artist in Residence, UMO ME, 90/91;
The Writing Center, Orono ME, 1991;
PavillionTheatre, Orono ME, 1991;
The Ram's Horn, Orono ME, 1991;
The Farm: An Art Colony For Women, Poughkeepsie NY, 1992;
The Farm: An Art Colony For Women, Poughkeepsie NY, 1993;
Women's Rites Center, Manhattan NY, 1995;
ABC No Rio, Manhattan NY 98/99/00;
KGB Bar, Manhattan NY 1998;
Karma, Manhattan, 98/99.
SKILLS/ACTIVITIES
Bilingual, French. Athletic, jazz aficionado, R&B, soul,
techno, dance music.
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